Cornelia Hoogland's Home Pages

Professor at The University of Western Ontario in The Faculty of Education

Go to:

Articles
Aesthetics of Language
Trees in Emily Carr
How Theatre Educates

----------

Math as Story

----------

Plays
Country of My Skin
Last Afternoon as Herself
Salmonberry

----------

Poetry
Marrying the Animals
The Wire Thin Bride
Cuba Journal
You are Home

or click links in the
blue menu bar above

Go To:

Home

Current Courses

Upcoming Events

Poetry London

or click links in the
purple
menu bar above

 

 

PUBLICATIONS: Trees in Emily Carr

Excerpt from: Hoogland, C. (2004). The Trees in Emily Carr’s Forest:
The Book of Small as Aesthetic and Environmental Text.
Canadian Children’s Literature.

Summary: Emily Carr's fictionalized remembrances of her childhood experiences in The Book of Small provide insight into Carr's artistic interpretation of the Canadian, West Coast, landscape. Her choice to convey her artistic (aesthetic) approach to experience through a child character demonstrates her belief that the child and the artist approach experience in similar ways. The language in The Book of Small emulates a child’s (or poet’s) experimentation of the links between perception and language. Language is used not simply to describe, but to evoke the action and the quality of the encounter. Carr's autobiographical fiction has implications for contemporary attitudes toward childhood and toward the environment, both of which play important roles in children's literature. Renewed literary interest in this great Canadian modernist artist is shaping the "Canadian aesthetic" in ways that may influence how "setting" in Canadian children's literature is constructed and received.